There's the old favorite, a musical:
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And the nice old Disney standard:
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Ava Moretti, "Manderlay" | Counter-Currents Publishing
Lars von Trier’s Manderlay should be required viewing for every white nationalist. It is also an excellent recruitment tool for friends and family members who need a quick primer on Race Realism 101.
There's the old favorite, a musical:
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And the nice old Disney standard:
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From the above post on "Manderlay", I noted an interesting commentary on Lars Von Trier's another movie "Europa" (in USA, "Zentropa"):
Ava Moretti, "Manderlay" | Counter-Currents Publishing
Thus, it is interesting that the NSDAP collaborator in “Europa” is called Hartmann, and that his Catholic identity is affirmed at numerous points in the film. One would assume that in a European post-war arthouse film, a family of German collaborators would be depicted as demonic ghouls, but they are not. It is the American occupiers who are the villains, and the Hartmanns and their compatriots are left to their mercy. We see the Americans terrorising the Germans with gunfire when they attempt to hold a public funeral for one of their fallen men, and it is the American protagonist (or antagonist, depending on one’s disposition!) who ends up making everything worse through his intervention (much like Grace in “Manderlay”). This is a whole world apart from the vilification of the Axis in popular anti-fascist films like “Rome, Open City” and “The Tin Drum”.
Instead of presenting the “liberation” of the Germans from National Socialism as something to rejoice, Germany is depicted as a nation under siege. It is visibly in ruins, and the narrator refers to 1946 as “year one for Germany”. The American occupation and the fall of Hitler, in other words, signifies the beginning of a new epoch. Superficially, this is an analogy for the “cultural imperialism” exerted by America, which von Trier has expressed hostility against in several other films (“Dogville”, “Manderlay”, “Dancer in the Dark” and “Dear Wendy”), but it is more than that. The setting is not intended as mere allegorical fodder.
In an interview with an Israeli journalist during the 1990s, Ernst Zündel said something to the effect that Germany “lost her soul” in the aftermath of the Second World War, and I think the same idea is being articulated here. It is about the deliberate embarrassment of the Germans by the Allies in their demand for an “unconditional surrender”, as well as the subsequent brainwashing and the imposition of an anti-German constitution. It is not about mere military conquest, but about the forceful imposition of a foreign ideology (quite literally at gunpoint).
In a particularly egregious scene, Trier himself makes a cameo as “the Jew”, a contemptible Jewish thief brought in by an American officer to help determine whether or not Hartmann was a collaborator. The twist is that the Jew in question is a criminal who has been let off the hook for pretending that the American officer’s favoured German collaborators are innocent! In other words, the one Jew in the film is an opportunistic shill and a petty thief, motivated first and foremost by his own self-interest. In a documentary from the Europa Trilogy DVD boxset, von Trier refers to this character as a “villain”. Whether that is because he is allowing himself to be used as a tool for political corruption, or because of his distinctly Jewish character traits, is up to you (these are obviously not mutually exclusive; where there is Jewish behaviour, there is political corruption), but I am inclined to think he meant the second option.
Another pro-"Jew" movie about an evil white nazi racist that wants to kill 6million of Gawd's VIP bc he doesn't like crypto-dictatorship, having a social security number or credit scores to rank his worth as a human being. Listen to him cry in blind-nazi rage as his evil Nazi demonic possession drives him insanity as righteous punishment for being born white (abnormal):
The movie would've been more credible if Will Smith played the role of the evil Nazi, and Spielberg the director. Interracial romance could've also had greater appeal to the audience's Kosher preferences.
100% white cast. Excellent movie about white American hockey players winning against Soviet Union in the 1980 Olympics:
Another 100% white cast (includes Peter O'Toole):
An classical favorite - a musical (also 100% white cast):
Another 100% white cast:
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Ever in My Heart (1933) - Overview - TCM.com
This Tuesday morning (tomorrow, May 29), 9am EST on Turner Classic Movies.
NO. NOT RECOMMENDED! A cursory google search yields pictures of what seems to be hardcore interracial porn as depicted in this disgusting 'movie'. The main white female star commits bestiality in the movie; click on link http://images.celebritymoviearchive....anderlay-1.jpg at your own risk, which is only to be used as proof of what I say.
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"When a civilization reaches the point when it's citizens worship athletes as gods and media personalities as saints; then the end of that empire is most certainly near"...Martin Faust, 2010
"It's not Racism, it's Reality."
There are a lot of great and award winning movies but for me, some of it are "Harry Potter", "Thor", "Incredibles" and etc.
First of all, Welcome rebeccaB.
Something you should remember, however, is that "award winning" does not always equate with movies that build White values and civilization. The majority of films from the 60's on are very damaging and degrading to White people. The awards from the major, jew run, companies are for those that encourage the destruction of the White race and show the White man and woman as devils or idiots. The White family is shown as dysfunctional and destructive.
Here we are searching for those few movies that teach positive messages especially to our children. The "Incredibles" by the way, is an excellent movie for positive reinforcement.
"When a civilization reaches the point when it's citizens worship athletes as gods and media personalities as saints; then the end of that empire is most certainly near"...Martin Faust, 2010
"It's not Racism, it's Reality."
Yes, there are very few movies that are healthy for White Folks.
Jewish Hollywood is owned and operated by Anti-White Jewish Communists, which is why their products are Anti-White and pro Jewish Communism.
Any "big blockbuster" movie is almost guaranteed to be Anti-White. Blockbuster is itself a term used by Jewish Communists to denote an invader who is used as a tool to destroy a White Neighborhood.
In order to sell their product they must market it to White Folks, so the previews of movies will often look very alluring, but the product is usually dosed with Anti-White propaganda poison.
Just saw this movie -
100% white cast, except a few scenes where there was a black face among the revolutionaries. A 1998 film.
Another 100% white casted movie:
An Alfred Hitchcock movie.
Another great Alfred Hitchcock movie (100% white cast):
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" For we walk by faith not by sight " ~ Christ
* Tribute to Eugene Terre'Blanche
STOP!! Islam
I'm watching a movie called "Helen," and so far, very sad, but interesting.
Live a good life. If there are gods and they are just, then they will not care how devout you have been, but will welcome you based on the virtues you have lived by. If there are gods but unjust, then you should not want to worship them. If there are no gods, then you will be gone, but will have lived a noble life that will live on in the memories of your loved ones. I am not afraid. - M. Aurelius
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