Thread: Movie Recommendations

Originally Posted by Starchild

What about Enemy at the Gates, about a battle between a Russian and German sniper in Stalingrad. I thought the Russian got the worse end of the deal in this movie because they were portrayed as being far more brutal and inhuman than the Germans.

Aside from the performance of Rachel Weisz as Tania and her heart-breaking monologue regarding some holoco$ted Khazars there is also the problem of Joseph Fiennes' character.
As Commissar Danilov, Fiennes portrayal of a heroic, self-sacrificing jew functionary fighting at the very spear-point of the battlefront is at variance with actual known jewish practice and behaviour. It is more in the way of impressing upon the minds of White youth an image the jew would like us to keep and embrace, than a projection of historical reality.
In real life, the jew has others do his heavy lifting.

This film looks incredible! Has anyone seen it? It won all sorts of awards:


Trailer:

YouTube - Mugabe and the White African trailer


Website:

http://www.mugabeandthewhiteafrican.com/

Wikipedia Article:

Mugabe and the White African - Wikipedia, the free encyclopedia

Online:

Vidéo Mugabe and the White African - 2009 Documentary film - Part 1 of 3. de mirrorthis2010 (Actualité - mirrorthis2010) - wat.tv

Vidéo Mugabe and the White African - 2009 Documentary film - Part 2 of 3. de mirrorthis2010 (Actualité - mirrorthis2010) - wat.tv

Vidéo Mugabe and the White African - 2009 Documentary film - Part 3 of 3. de mirrorthis2010 (Actualité - mirrorthis2010) - wat.tv

Originally Posted by Alexander Hamilton

This film looks incredible! Has anyone seen it? It won all sorts of awards:


Trailer:

YouTube - Mugabe and the White African trailer


Website:

http://www.mugabeandthewhiteafrican.com/

Wikipedia Article:

Mugabe and the White African - Wikipedia, the free encyclopedia

"The white man is not indigenous to Africa. Africa is for Africans. Zimbabwe is for Zimbabweans." Robert Mugabe

Defamation
A Film by Yoav Shamir
Anti-Semitism Debunked
Commentary by Ralph Iver

You couldn’t make this stuff up, but making stuff up is what many Jews have resorted to doing. The movie shows how Jews and Jewish organizations in Israel, the United States, and the world promote narcissism, heightened paranoia and the imagining of the most horrifying monsters when what they are actually seeing is their own shadow on the walls of a cave. The result is the regular staging of false victimhood, or more accurately put, predatory lying. During the film’s first hour several Israeli teens are caught falsifying their experience with three elderly men in Poland as proof of anti-Semitism, which is almost gleefully promoted as “aha–I caught one!” Shamir debunks her claim.

It is admitted in this film that Jews who practice their religion and base their identity with their religion deny experiencing anti-Semitism, while Jews who do not practice their religion seek out the ADL as a “forum” for their Jewish identity, so that who they are as a people is dependent upon the continued existence of anti-Semitism. This bring us to the question, if anti-Semitism does not exist, then who is a Jew (at least one who does not practice his or her religion)? The idea of being a victim is what reinforces Jewish identity–without it, they lose their identity.

Shamir, the Israeli filmmaker follows Abe Foxman, chairman of the Anti-Defamation League of B’Nai Brith, and shows him up as a chronic malingerer, the boy who cries “wolf!” He exaggerates dubious accounts as anti-Semitism, or fabricates where there is none for the secondary gain of money and external power. Through his organization, conferences, website, and all communications, Foxman’s staging of Jewish suffering is the means of Jewish intolerance toward all non-Jews.
Being Jewish has become an identity of victimhood that spawns and justifies predatory acts. The victims themselves are now the predators.

Many Jews are fighting the predators from within. Shamir interviews numerous Jews who speak out against the reinforcement of false paranoia and “right-wing” Jewish politics. He discovers that “those who try to say anything different are being silenced.” Norm Finklestein, whose own parents were concentration camp survivors, talks about the shamefulness of how the richest and most powerful ethnic group in the United States “sits around and talks about anti-semitism”. Narcissism, he calls it. Finklestein tragically states, “The irony is the Nazi Holocaust has now become the main ideological weapon for launching wars of aggression.” He later states, “The best thing that could happen to Israel is to get rid of these American Jews, who are warmongers from Martha’s Vineyard. And they’re warmongers from the Hamptons. And they’re warmongers from Beverly Hills. And they’re warmongers from Miami. It’s been a disaster for Israel.”

Uri Avnery, of Gush Shalom, points out that the Jewish lobby in America does not fight Anti-Semitism, but criticism of Israel, which does more to harm Jews than help. He states, “In America, hardly any anti-Semitism exists. It’s a myth. There is none,” and that it exists only “in the minds of the Jewish big shots of the world who make a living fighting anti-Semitism.”

Which leads us to question who Jews would be if there was no anti-Semitism. The social identity of Jews today as a whole is built upon a foundation of nearly non-existent anti-Semitism, where any “evidence” of it can be found only under a microscope. And by pulling straws. The only way Jews can carry on is to make it up as they go along, and this is promoted by the ADL. If anti-Semitism is debunked and the rest of the world finally refuses to play along, who are Jews then? Who are they without their false suffering?

The film ends witnessing the students and Foxman tearfully identifying with the loss of their ancestors. One of the girls says she wants to kill the people who did this. She is told, “but they are all dead”. Revealingly, she responds, “yes, but they have heirs. They may be different but they are still there.”

Shamir ruefully concludes the emphasis on the past has held Jews back. “Maybe it’s about time to live in the present and look to the future.”

Heresies Examined

Watch in its entirety, right here:


YouTube]YouTube - ‪Yoav Shamir - Defamation‬‏

The Alfred Hitchcock Classic, with this memorable scene in times less Politically Correct:

My pleasure, monsieur.

There are moments in life
when we all need a little help.

Yeah. Just what was the trouble?

Uh... your little boy accidentally
pulled off his wife's veil.

- Oh. Yeah.
- Hank!

I want to introduce my wife,
Mrs McKenna.

- How do you do?
- How do you do, madame?

My name is Louis Bernard.

We thank you very much, Mr Bernard.


- That's our son, Hank.
- Hello, Hank.

Hello. You talk Arab talk.

A few words.

Why was he angry? It was an accident.

But the Muslim religion
allows for few accidents.

- Yeah, I suppose so.

Any John Wayne movie.

Originally Posted by Charles Martel

Any John Wayne movie.

It's unfortunate that he was, let's say, "multicultural" in his quest for women.

Originally Posted by Sigrid

It's unfortunate that he was, let's say, "multicultural" in his quest for women.

Are you sure you are not thinking about Marlon Brando? I looked up John Wayne's 3 wives on Wikipedia, and they all seem like White Spanish-descended women to me.

Originally Posted by Charles Martel

Are you sure you are not thinking about Marlon Brando? I looked up John Wayne's 3 wives on Wikipedia, and they all seem like White Spanish-descended women to me.

Well, I don't know, but some of their pictures look awfully suspicious. I'll take your word for it.

Either way, he was a good actor and his voice is legendary.

In the odd event anybody who speaks Serbo-Croatian stumbles across this thread, I am going to recommend a few movies from this area:

Balkanski špijun
Mi nismo anđeli
Mi nismo anđeli 2
Mrtav ladan
Made in Yugoslavia

Harry Brown.
This is a film which captures our zeitgeist. An ailing old White man has very little to live for, aside from the camaraderie of his only friend. The protagonist's friend is brutally and senselessly murdered by a bunch of politically correct multiracial thugs. After encountering the ineptitude and apathy of the police force our hero goes on a one man crusade to avenge his friend's death. Through his journey we witness the depths of depravity that modern society thrives in, all the way seeing it through the eyes of a former war hero who cannot quite come to terms with this "brave new world. "

Lord of War is a good movie, people should watch it, especially Americans.

Wallace and Gromit




With four short films (two which won the Academy Award for best short animation) and one feature length film (which won the Academy Award for best picture) Wallace and Gromit can't be beat. Wholesome, funny, a throwback to a much better of our people, I recommend, this English human/canine duo in every which way!

This is a good movie -nearly all white cast. About high school white boys in West Virginia shooting rockets after being inspired by seeing the Sputnik in 1957.



Another great movie - 100% white cast - USA hockey team beats Russia in 1980 Olympics.



King Arthur - all white cast

Another good movie - Flyboys - about WW1 airplane fighting. It isn't 100% white cast as there is a negro in it, but he's one of the early casualties.



Another great movie - I believe its 100 % white cast - Master and Commander

For some romance, I feel this is a great romantic film:

The Notebook (2004)

A poor and passionate young man falls in love with a rich young woman and gives her a sense of freedom. They soon are separated by their social differences.

http://www.imdb.com/title/tt0332280/