The Duty of White Artists in Our Struggle

[Keltoi]

The Duty of White Artists in Our Struggle

by

Pip Pockets



The Duty of White Artists in Our Struggle

European mankind has the grandest heritage in human history. We, the contemporary inhabitants of this heritage have a serious question to ask ourselves: how has this heritage been passed down to us? What I mean by this is how do we know about this heritage? Who are the guardians that have passed this heritage down to us? The answer is that they are our artists and storytellers.

If the answer was not who you were expecting than let me ask you some questions. When one thinks of the glory of the British Empire what do they think of? The legislation of Benjamin Disraeli or the stories and poetry of Rudyard Kipling? When the grandeur of the Italian Renaissance comes to mind is it the actions of countless Princes and Popes or the painting and sculptures of Da Vinci and Michelangelo? Can admirers of the Confederacy recite by heart a single speech by Jefferson Davis or can they sing songs like Dixie, The Bonnie Blue Flag, and Maryland My Maryland? Every one of these questions is answered by the latter. Artists and storytellers of European mankind have played a vital role in not only preserving our heritage but creating the heritage being preserved. And today, when European mankind is on the edge of oblivion, our artists and storytellers are more vital than ever.

For half a century dedicated men of the West have been fighting to reverse the decline of white civilization. Yet for half a century these men have continued to fail. The movement that has been fighting this decline must look at itself and admit it have been utilizing the same failing tactics again and again. These failing tactics can be summed up in one word: politics.

For half a century white leaders have been putting all of their time and energy into politics. For half a century they have told us that we need to rally around this one more candidate or win this one more election, and where has it gotten us? Nowhere. The legacy of pro-Western activism has been one of constant losing; not only losing but betrayal when it does win. A simple review of modern history shows this. In 1964 the Right rallied around Barry Goldwater as the defender of white, Christian civilization but was devastatingly defeated by the Leftist Lyndon Johnson. Not only did Mr. Goldwater lose but afterwards displayed his true colors of not supporting anything of white, Christian civilization; highlighted by his support of homosexual marriage. In the 1990s Pat Buchanan emerged as the political leader of white, Christian America and ran for president twice and both times lost big. And the most recent loser for the Right to rally around was Ron Paul. While Mr. Paul may have excited materialistic Libertarians and college students his so-called Revolution barely made a dent in the outcome of the Republican nomination and eventual election of Barack Obama. Worst of all Mr. Paul betrayed white, Christian America when he gave into the media’s pressure and said on national television that two of his heroes were Rosa Parks and Martin Luther King Jr.

Two glaring examples of betrayal when victorious occurred here in America and in France. White, Christian Americans rallied around, got elected, and still today idolize Ronald Reagan. However Mr. Reagan twice betrayed us during his presidency. The first was when he made a national holiday of the birthday of Martin Luther King Jr., the only American to have a holiday all his own. The second time was in 1986 when he passed amnesty for illegal aliens. Both of these actions have had terrible consequences for whites in America.

The betrayal in France is going on right now. After France’s Muslim population rioted through the suburbs of Paris in the fall of 2005, Nicolas Sarkozy spoke harshly against the rioters, calling them scum and saying he was going to clean them out. In many instances Mr. Sarkozy spoke harsher about the rioters than France’s traditional Nationalists party the Front National. In the 2007 elections France rallied behind him as the conservative and elected him president. Since then he has done nothing but betray the French people. From advocating more Muslim immigration into France and Europe, to declaring that Arabic is the language of the future, and most recently saying that the white French must interbreed with non-whites to somehow save France. Declaring this last statement is treasonous and nothing short of genocidal as it says that France can only survive by getting rid of the French.

This short history shows that the defenders of European mankind have foolishly always tried the same thing despite it never working. The question that must be asked is why has it never worked? Why has the political revolution that whites so desperately need not come about? It is because we have not cultivated the soil needed for such a revolution to sprout. And that soil we have neglected is our culture.

What I mean by our culture here is our art and stories. Just look at what our enemies have been doing while we have put our time and effort into political candidates. They flocked to Hollywood to make movies. They took over the publishing houses in New York. And they produced the music and television shows that have had disastrous consequences for our people. The enemies of Western man have sunk their efforts into taking over the works that touch the emotions and shape the imagination of Western man.

No white activist can rationally deny this. For 50 years the arts and entertainment in the West has become more vulgar, hedonistic, and openly anti-white. During this same period the West has rapidly picked up the pace of its decline. There is no strange coincidence here. Arts and entertainment shape our views of our people, our world, and ourselves. The enemies of European mankind know this and have masterfully used it to their advantage. Barack Obama’s election is the crowning achievement of their cultural mastery. As a young man of only 26 his election in no way shocked me the way it has so many of the older defenders of European mankind. I was born and raised in the culture that planted the seeds for this. From television shows like Family Matters, The Fresh Prince of Bel-Air, and Chappelle Show; to the overwhelming dominance of Hip-Hop and Rap in music; to countless movies about cool, ingenious, and honorable blacks starring Morgan Freeman, Denzel Washington, and Will Smith; mine has been a generation raised to see an Obama as the ideal of American perfection. He is the Will Smith of politics.

Do not be mistaken and think I’ m saying we should give up political activism and running for office. I’m not. They’re extremely important but they will never win this struggle on their own. I say again that before the successful political revolution we need a passionate artistic revolution. Two quotes from historically famous men drive home this point. Karl Marx said that Victorian authors like Charles Dickens, “…issued to the world more political and social truths than have been uttered by all the professional politicians, publicists and moralists put together…”. And Winston Churchill was quoted as saying that the book and later film adaptation of Mrs. Miniver was worth, “…six divisions of the war effort.” Here are the words of two political icons whose actions played an enormous role in Western civilization praising the power of artists. No matter what opinions one might have of either of these men their words should not be disregarded.

I write this not as a politician or pundit, scientist or scholar, but as a white artist. We white artists have two duties in this struggle for our people’s survival. The first is to keep alive our old heritage and the second is to add to it by creating a new heritage. At this moment our ancient homelands are being overrun by invading races and our treacherous elites are systematically erasing our heritage to accommodate the invaders. In the face of this we white artists must never forget what came before us. We must learn to sing the songs that have inspired our ancestors to action and comradeship. We must read the poetry that has touched our people’s hearts and the literature that has sparked our people’s imagination. We must celebrate the heroes that fought and often died for the freedom of our people. To sum up, we white artists must eternally celebrate the heritage created before us in the face of all opposition. For a people that has forgotten its heritage is like a family that has forgotten its memories together.

Just as important is that we create a new heritage. What I mean by this is that we must never act as if our greatest days are behind us. We must never assume we no longer possess the creativity and imagination to create works that rival those of history’s greatest white artists. To do this we white artists today must dedicate our lives to creating new works of art that show we have a future that will be passed down to our posterity. For we are not fighting to simply save economists and politicians, that is not our heritage, so they shouldn’t be what we rely on most. Our heritage is one of great art that only whites could have created; that’s what we’re fighting for. Poets are needed to express the souls of white folks today. Authors are needed to write stories that celebrate the experience of our people today. Painters are needed to show the beauty of our people. Musicians are needed to write songs that will lift our people out of the cynicism forced on them and inspire them to love and fight for European mankind. And filmmakers are needed to create entertainment that our people will laugh, cry, and thrill at while portraying whites in a positive light. We must bring about an artistic renaissance that will show our race that our best days are not over, and our enemies that we reject the anti-white filth they shove down our throats to poison us. We must create our own Harlem Renaissance before hoping for our own Civil Rights movement.

Those of us who love European mankind must no longer live up to the stereotypes of our enemies. Either that we are uncultured hatemongers and conspiracy theorists that have nothing to contribute to civilization; or that we are greedy fat-cats who only care about money and elections. We must show our people that we are the great artists, entertainers, and cultural guardians that people emulate and admire. Being only 26 I’m too young to have participated in the battles over integration, school busing, and other racial issues but I’m of the generation raised with the consequences of those battles. I can tell that since I had to be raised with them that the old battle tactics are failures. Our race’s enemies knew what they were doing when they flooded the arts and culture. If our people are to survive we cannot simply persuade their reason and intelligence, we must ignite their emotions and imagination.

[William]

Excellent post and I agree whole heartedly. As a musician and writer, I've felt I have been able to gain some unique insights that those primarily concerned with politics cannot. I am witnessing first hand the cultural destruction of our people due to the flood of anti-White art, music, writing, television, and film.

It's my earnest belief we need to mobilize the artists within our ranks in order to develop new artistic trends to combat the rampant anti-White material we see in our societies today.

[Keltoi]

I have known Three superb Realistic Artists in my life, truly superb; I was successful in getting shows for one of the three.

Howard David Johnson is another great modern artist.

[Robert]

I too am a white artist (musician-songwriter) and certainly agree with the posting. I think one of the most important artists presently is 'Saga' and I have a few of her Cd's and strongly recommend her music. You can order it on the net. It's class.

On the negative side, most of the so-called white artists-musicians are merely metal screamers. I believe this has given the movement a bad image, among other things beyond our control. We must remember bad money drives out good money and this is a classic example, as no one wants to hang out in a gutter.

But I am so negative now I don't know where to go to even try and remedy the situation with our plight in this world. Once we lost ownership of our newspapers, it is difficult to fathom getting out of this mess, short of the end times. But I keep looking for ways.