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Thread: 96% of Media Owned By 6 Jewish Companies

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    Exclamation 96% of Media Owned By 6 Jewish Companies

    Facts of Jewish Media Control The largest media conglomerate today is Walt Disney Company, whose chairman and CEO, Michael Eisner, is a Jew. The Disney Empire, headed by a man described by one media analyst as a “control freak”, includes several television production companies (Walt Disney Television, Touchstone Television, Buena Vista Television), its own cable network with 14 million subscribers, and two video production companies. As for feature films, the Walt Disney Picture Group, headed by Joe Roth (also a Jew), includes Touchstone Pictures, Hollywood Pictures, and Caravan Pictures. Disney also owns Miramax Films, run by the Weinstein brothers. When the Disney Company was run by the Gentile Disney family prior to its takeover by Eisner in 1984, it epitomized wholesome, family entertainment. While it still holds the rights to Snow White, under Eisner, the company has expanded into the production of graphic sex and violence. In addition, it has 225 affiliated stations in the United States and is part owner of several European TV companies. ABC’s cable subsidiary, ESPN, is headed by president and CEO Steven Bornstein, a Jew. This corporation also has a controlling share of Lifetime Television and the Arts & Entertainment Network cable companies. ABC Radio Network owns eleven AM and ten FM stations, again in major cities such as New York, Washington, Los Angeles, and has over 3,400 affiliates. Although primarily a telecommunications company, Capital Cities/ABC earned over $1 billion in publishing in 1994. It owns seven daily newspapers, Fairchild Publications, Chilton Publications, and the Diversified Publishing Group. Time Warner, Inc, is the second of the international media leviathans. The chairman of the board and CEO, Gerald Levin, is a Jew. Time Warner’s subsidiary HBO is the country’s largest pay-TV cable network. Warner Music is by far the world’s largest record company, with 50 labels, the biggest of which is Warner Brothers Records, headed by Danny Goldberg. Stuart Hersch is president of Warnervision, Warner Music’s video production unit. Goldberg and Hersch are Jews. Warner Music was an early promoter of “gangsta rap.” Through its involvement with Interscope Records, it helped popularize a genre whose graphic lyrics explicitly urge Blacks to commit acts of violence against Whites. In addition to cable and music, Time Warner is heavily involved in the production of feature films (Warner Brothers Studio) and publishing. Time Warner’s publishing division (editor-in-chief Norman Pearlstine, a Jew) is the largest magazine publisher in the country (Time, Sports Illustrated, People, Fortune). When Ted Turner, a Gentile, made a bid to buy CBS in 1985, there was panic in media boardrooms across the nation. Turner made a fortune in advertising and then had built a successful cable-TV news network, CNN...

    Follow the URL below for the rest of the story:

    96% of Media Owned By 6 Jewish Companies | AlterMedia International

    Disney's CEO is Robert Iger. In the well-known LA article "How Jewish is Hollywood" he's listed as Jewish.
    Abner likes this.

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    Default Re: 96% of Media Owned By 6 Jewish Companies


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    Post Re: 96% of Media Owned By 6 Jewish Companies

    Wednesday, May 7, 2008

    Jewish Media Corrupts Young Girls



    Jewish media loves to pervert young girls. Below are photos
    of one of their most brazen In your face perversions.


    How many teen girls were corrupted by this ?




    JEWISH MEDIA CORRUPTS TEEN GIRLS


    By Rev. Ted Pike
    6 May 08

    Christian/conservative watchdog groups are sounding the alarm
    against unprecedented TV sex and profanity now luring girls aged
    12-17. The CW television network’s Gossip Girls show, according
    to Parents TV Council:


    …glamorizes casual sex and drug use among teens…There
    has been a prolonged, graphic sex scene between two
    teenaged characters…drugs and drinking are presented as
    glamorous, easy to obtain, and part of everyday life…
    Storylines have featured…threesomes among teens and
    teenage girls having sex with adults. Also included have
    been multiple scenes of teens drinking, smoking pot and
    having sex…Parents on this series are also portrayed as
    distant, uncaring, and are depicted as using their children
    for personal gain and not seeming concerned about their
    welfare or happiness.

    CW’s new ad campaign features print and web ads—one in which
    a teen boy kisses an actress’s cleavage. These ads feature huge letters
    across an erotic image; the letters read either OMG (“Oh, my God!”)
    or OMFG—the translation of which is unprintable! CW uses such
    messages to impact girls at least as young as 12.


    But there’s something Christian “watchdog” groups will not tell
    you. There’s a religious motivation behind this attack. CBS and
    Warner Bros., partners in CWTV, are Jewish media giants. CBS,
    founded by William S. Paley (Palinski) in 1928, has always been
    under control of strongly pro-Zionist Jews, including present owner
    Sumner Redstone (Murray Rothstein). The owner of CBS until
    1995 was a devoutly Orthodox Jew, Laurence Tisch. He required
    all top CBS Jewish executives to meet with him every Monday
    morning in his executive suite to study the Babylonian Talmud. They
    were spiritually invigorated by the Talmud’s exaltation of Jews and
    venomous hatred of Jesus, Christians, and Gentiles. Such Talmudic
    bias has encouraged even secular Jewish executives and producers
    of CBS, Jewish-founded ABC and NBC, and Hollywood to mastermind
    subversion of America ’s Christian values. (See, Jews Confirm Big
    Media Is Jewish
    and watch Zionism and Christianity: Unholy Alliance
    on Google)


    CW’s other Jewish partner, Warner Bros., in all its diversifications,
    also pushes premarital sex, homosexuality, profanity, drugs,
    violence and occultism on America ’s youth.
    Seeking The Truth: Jewish Media Corrupts Young Girls

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    Default Re: 96% of Media Owned By 6 Jewish Companies


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    Post Re: 96% of Media Owned By 6 Jewish Companies

    White Girls in the Jewish Media


    Britney Spears


    Lindsay Lohan



    Mischa Barton


    Miley cyrus

    Former Disney starlet Miley Cyrus is caught on camera in this video obtained by TMZ giggling uncontrollably after taking a hit on the pipe
    Miley Cyrus drugs scandal on M SN Video

    Miley Cyrus is a bad role model - according to young girls - Gossip Rocks Forum

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    Post Re: 96% of Media Owned By 6 Jewish Companies

    Question: How does the media effect body image in teens?
    Answer: Advertising in teen magazines and on television typically glamorizes skinny models who do not resemble the average woman. In fact, today's models generally weight 23% less then the average woman. Considering the average person in the United States sees approximately 3,000 ads in magazines, billboards, and television every day, your teenager is getting the wrong message about body image much too often.
    Body Image Teens and the Media


    Mother recants injecting child with Botox - The Boston Globe

    'Beware the child pageant' - Local News - News - General - Port Macquarie News

    Does This San Francisco Mom Really Give Her 8-Year-Old Botox?

    Oscar-winner Cate Blanchett is disgusted by how many of her Hollywood peers have succumbed to using face-paralyzing Botox
    http://www.hollywood.com/news/Cate_B..._Botox/2440321

    Beauty and Body Image in the Media


    Teenage Girls + Media = Low Self-Esteem

    Eating Disorders and the Media | Media Influence on Eating Disorders | Anorexia | Bulimia | Eating Disorders | Compulsive Overeating | The Something Fishy Website on Eating Disorders

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    Exclamation Re: 96% of Media Owned By 6 Jewish Companies

    Casting Couch: Jewish Producers Force Actresses to Have Sex


    Gwyneth Paltrow and Lisa Rinna on the Sexual Politics of the Casting Couch - ABC News
    Tales from the Casting Couch: Hollywood's Ugly Open Secret


    Gwyneth Paltrow, Lisa Rinna Reveal Run-Ins With Hollywood Tradition of Sex for Roles




    Oct. 12, 2010


    The Oscars, the Walk of Fame and the Hollywood sign are some of Tinseltown's famed icons. But as with most fairy tales, there is also a hardcore underbelly.







    Now Gwyneth Paltrow has spoken out about one of the industry's dirtiest secrets – the casting couch.



    In the November issue of Elle Magazine, 38-year-old Paltrow revealed that early in her career she had a brush with someone who "suggested that we finish a meeting in the bedroom."



    Her reaction?



    "I left," she told Elle. "I was pretty shocked." Paltrow said she could see how someone who didn't know better might worry that their career would be ruined if they didn't perform a specific sexual act.



    In an interview with People nearly five years ago, Oscar-winning actress disclosed that before she launched her acting career, she was asked by her modeling agents to go to a well-known director's house. The ostensible reason was because there was a casting call for extras. When she showed up, the director was in his pajamas, making drinks.





    Charlize Theron


    "I thought, 'Wow, this is really not formal, this whole casting procedure,'" Theron said in People. "Us girls, we're smart: You leave."


    .....


    Lisa Rinna, whose new reality show "Harry Loves Lisa," co-starring her husband, Harry Hamlin, debuted last week on TV Land, told PopEater's "Naughty But Nice" column that she, too, was a victim of the casting couch. Columnist Rob Shuter wrote that the then-24-year-old actress "walked away in tears after the disgusting encounter, but that hasn't stopped her from thinking about the producer or that moment every day."





    Lisa Rinna

    Although these incidents happened years ago, the passage of time hasn't necessarily eliminated the scourge.



    Last year Megan Fox told Britain's GQ magazine, "Any casting couch s**t I've experienced has been since I've become famous. It's really heartbreaking. Some of these people! Like Hollywood legends. You think you're going to meet them and you're so excited, like, 'I can't believe this person wants to have a conversation with me,' and you get there and you realize that's not what they want at all."





    Megan Fox




    YouTube - ‪Hot Topics-Casting Couch - The View‬‏




    remember seeing an interview with Morgan Fairchild on one of the talk shows many years ago when her popularity was just beginning to decline...

    She talked about the practice in Hollywood of producers plying actresses for choice parts in exchange for them submitting to a "private screening", which they would record on film for their 'private library'...

    The producers would then show these, in most cases, sexually explicit film clips to their friends at private parties... Apparently, it was common knowledge in the elite circles of Hollywood that these type things occurred on a regular basis...

    There was a rumor circulating for years that Norman Jean Mortensen, a.k.a. Marilyn Monroe, was one of the starlets who had agreed to one of those 'private screenings' to advance her career...

    Then, several years ago, a sexually explicit 16mm film clip surfaced featuring none other than Marilyn Monroe, which was promptly auctioned off to the highest bidder and returned to yet another private library... The film clip was unusual in that it was in 16mm format, not 8mm, which was commonplace at the time...

    This revelation confirmed the rumor of Marilyn Monroe's sex tape, and the fact it was recorded on 16mm film pretty much confirmed that it was a Hollywood insider who had recorded it...

    Such is the treatment of white women by the Hollywood jews... There's a BIG price to pay for the 'fame' that Hollywood accords women, and the women mentioned above are just the latest in a long list of women propositioned by the seedy side of the jews' Hollywood empire.



    Norman Jean Mortensen, a.k.a. Marilyn Monroe
    Judy Garland was an Alchoholic. She wasn''t alone in that regard in Hollywood. Still, the drug abuse was quite harmful. Obviously, She got involved in a toxic, permissive Culture. The Women of Her Midwestern Culture most likely were Tea totalers. Its the whole Janis Joplin, Jim Morrison Story
    of Cultural confusion and displacement, and being taken advantage of.
    You know what happened to Judy Garland at M.G.M. They used to give these Actors Drugs like amphetamines, barbituates and Drugs to control Their weight, etc. I don't know if treating Actors like this was Characteristic of, or unusual for the Era, but it sounds like these were not nice People running the Studios. Judy Garland ended up dying of Liver failure. It seems like a lot of Actresses died Young.
    http://www.whitenewsnow.com/american...-have-sex.html

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    JEWISH INFLUENCE IN THE MASS MEDIA

    .....

    The Hollywood "casting couch" is an infamous icon. Actress/writer Joan Collins (half-Jewish) notes an early introduction to the world of Hollywood as a young aspiring actress:
    "[When] Buddy Adler, who was head of 20th Century-Fox, to whom I was under contract, asked me in his own home if I would like to be the
    biggest star on the lot, I said, 'Yes, of course.' 'All you have to do' -- and he smiled suavely as he maneuvered me across the lacquered dance floor of his Beverly Hills mansion -- 'is to be nice to me, and the best parts at the studio are yours.' 'What do you mean exactly by 'be nice,'
    Mr. Adler?' a worldly and sophisticated twenty-two-year-old Joan asked
    warily. 'Listen, honey' -- he held me closer in the dance and whispered
    in my ear -- 'you're a beautiful girl and I'm not exactly an ugly old man...
    We'll see each other a couple of times a week, you can still have your own life, and I'll have mine, of course." [COLLINS, J., p. 25]

    Marilyn Monroe, as noted earlier, was a willing mistress to many to help her career. Aside from those mentioned earlier, she was also regularly invited to the home of Joseph Schenck (early head of 20th Century-Fox) where, she once said, "I liked sitting by the fireplace with Mr. Schenck and hearing him talk about love and sex. He was full of wisdom on the subjects." [WOLFE, D., p. 198] Schenck was once married to early film star Norma Talmadge. [WHITFIELD, E., 1997, p. 239] Monroe, says Ted Jordan, "bitterly complained about Schenck, who made it clear what her primary function was: sex." [JORDAN, p. 100] Schenck, says film historian Neal Gabler, "embodied just about every cliché of Hollywood decadence and debauchery." [GABLER, N., 1988, p. 259] "Uncle Joe [Schenck] continued to have 'fiancees,' notes Mary Ellin Barrett (the "god daughter" of Schenck, and Irving Berlin's actual daughter), "and when I was old enough to catch on, I wondered how a pretty girl could fancy such a homely, potbellied old man 'that way.' 'Power,' someone said, 'is attractive,' an odd concept to a young person." [BARRETT, M., 1994, p. 140]



    Early in Monroe's career as a struggling actress, the head of Columbia, Harry Cohn, also once invited her, "and no one else," to an overnight cruise on his yacht. According to close friend Ted Jordan, Monroe was required to strip naked for Cohn in his office....When she declined his advances, said Monroe, "I had never seen a man so angry." [JORDAN, p. 91; WOLFE, D., p. 211-212] Cohn then "banned her from the [Columbia] lot after she refused to accompany him on a yacht to Catalina Island." [LEAMING, p. 8] "You know," Monroe once said, "that when a producer calls an actress into his office to discuss a script that isn't all he has in mind ... I've slept with producers. I'd be a liar if I said I didn't." [SUMMERS, p. 34-35] In 1955, 20th Century Fox awarded Monroe the richest per-film contract of any actress. "It means," remarked Monroe, "I'll never have to.... again!" [MCDOUGAL, p. 217]
    JEWISH INFLUENCE IN THE MASS MEDIA

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    JEWISH INFLUENCE IN THE MASS MEDIA

    Cohn also, notes Barbara Leaming,
    "developed an obsession with getting [his contracted actress] Rita
    [Hayworth] into bed that was more than just sexually motivated...
    As time went by he would become preoccupied with keeping other
    men out of her life, including her own husband and any other man
    who might come between Rita and the studio ... [Cohn] went so far
    as to sport hidden microphones in her dressing room to listen in on
    her private conversations." [LEAMING, B., 1989, p. 60]

    Louis B. Mayer (head of MGM) had "a private life [that] was not always so praiseworthy," notes Norman Zierold, "... Although married, he had a keen eye for feminine beauty and courted women at a clip in keeping with his extravagant nature." [ZIEROLD, p. 319] "In his more delicate personal relations with established and aspiring actresses," adds Bosley Crowther,

    "[Mayer] was naturally careful and decorous, but none the less
    vigorous in pursuit of those he lusted after, frequently in vain ...
    He once said to Luise Rainer, 'Why don't you sit on my lap when
    we're discussing your contract the way the other girls do?' A little
    adroit lap-sitting would go a long way, they found. He was hardy
    and persistent, however. Tirelessly he laid siege to some of the
    more formidable actresses, rewarding them with richer roles or
    disciplining them with poor assignments, in maneuvering to
    accomplish his private aims." [CROWTHER, 1960, p. 263]

    Mayer was alleged to have "once insisted that 'the Talmud says a man is not responsible for a sin committed by any part of the body below the waist.'" [GABLER, N., 1988, p. 389]

    Legendary actress Lana Turner remembers what it was like for her as a teenager at MGM:

    "Often in those early years at MGM I'd see a young actress
    with more experience than I had, and I'd think, 'Oh boy,
    there's competition for me.' Six months later she would have
    fallen by the wayside. When I asked, people would say, 'You're
    so dumb!' It had to be spelled out for me that those six-month
    option girls would never go on to a movie career -- they were
    there for the benefit of management. That was what Zeppo
    Marx [Turner's first agent and one of the famous Marx Brothers]
    had meant when he told me to say I was eighteen [she was fifteen
    when signed]. If I got one of those six-month-option deals, I'd
    better lie about my age -- for their protection." [TURNER, L.,
    1988, p. 34-35]

    Shirley Temple (Black) recalled her experience as an 11-year old movie star the FIRST time she went to the MGM offices with her mother:

    "Eight months had elapsed since leaving Fox in May 1940, and on this first
    executive visit under my new Metro-Goldwyn-Mayer contract, Mother and I
    were split up, she ushered away by general manager Louis B. Mayer and I left
    alone with producer Arthur Freed.
    Best known as producer of the blockbusting The Wizard of Oz, Freed was
    rumored in some adult circles to have an adventuresome casting couch. At the
    time I knew none of this, nor would I have recognized such furniture even when
    sitting on one. To visit an executive of such stature was enough to send my
    spirits soaring.
    'I have somthing made just for you,' he continued, fumbling in his lap.
    'You'll be my new star!' That phrase had last been used when I was three
    years old in Kid in Hollywood.
    Obviously, Freed did not believe in preliminaries. With his face gaped in
    a smile, he stood up and abruptly and executed a bizarre flourish of clothing.
    Having thought of him as a producer rather than exhibitor, I sat bolt upright.
    Guarded personal exposure by both brothers and Father had maintained me
    in relatively pristine innocense. Not twelve years old, I still had little appreciation
    for masculine versatility and so dramatic was the leap between schoolgirl
    speculation and Freed's dazzling exposure that I reacted with nervous laughter.
    Disdain or terror he might have expected, but not the insult of humor.
    'Get out!' he shouted, unmindful of his disarray, imperiously pointing to the
    closed door. 'Go on, get out!' [BLACK, S., 1988, p. 319-320]

    Telling her mother about the incident as she drove home, her mother told her that she too had similar troubles, fending off a sexual advance from Louis Mayer in HIS office at the SAME time. [BLACK, S., 1988, p. 320] "Usually solemn,' writes Temple,

    "[Mayer's] eyes glinted. Surely [Temple's mother] could recognize real sincerity
    when she saw it. Never forget, he continued, at MGM we are a family. We take
    care of our own. Slipping down off his chair, he approached the sofa and sank
    down beside her, uttering a contented sigh. Surely she was the most unique mother
    in the world, he said. Someone who should be a star in her own right. He grasped
    her hand, pulling her toward him. Mayer's opinion of his personal prowess was rumored to be overblown, but not the power of his office. Reluctant to test either, Mother picked up her purse and retreated out the door, walking backwards. Unlike
    my reaction of hilarity to Freed, hers was to be grieviously affronted. Not for nothing was the MGM lot known as the 'factory,' a studio perfumed with sultry, busty creatures with long legs and tight haunches, and more than its quota of lecherous
    older men." [BLACK, S., 1988, p. 320]

    JEWISH INFLUENCE IN THE MASS MEDIA

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    Default Re: 96% of Media Owned By 6 Jewish Companies

    There is nothing I would EVER EVER want, that I would ever consider sleeping with a jew. I would die first.

    How dare these actresses reap fame and fortune, then turn around and bemoan what they did. They had a choice, they could have said NO.

    I see these White families, that patronize Disney, with their flat, formulaic idiotic creativity. They make me ill.

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    Default Re: 96% of Media Owned By 6 Jewish Companies


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    Default Re: 96% of Media Owned By 6 Jewish Companies

    The self-demonizing,
    the White who detests other Whites, and even himself.

    Who knows he is not guilty but is too ignorant to learn the truth.

    Who puts the contemptous Semite above himself and his whole race.

    I don't understand these people. Not at all.

    I can undestand what the Semites do. And why they do it. Because they are evil and selfish and sick.

    But Whites...something must have happened down the evolutionary path...

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    Exclamation Re: 96% of Media Owned By 6 Jewish Companies

    Actor Corey Feldman has sensationally claimed that his Lost Boys co-star Corey Haim was the victim of a paedophile who was also a Hollywood mogul.

    The Lost Boys actor said he was 'literally surrounded' by paedophiles at the age of 14, but didn't realise 'until I was much older what they were and what they wanted.'
    In a special report, 'Underage And Famous' for ABC's Nightline show, Feldman blamed former co-star Corey Haim's death at the age 38 on the abuse he suffered at the hands of a 'Hollywood mogul' he refused to name.
    The 40-year-old former child star said that paedophiles were 'like vultures' in the entertainment industry and alleged that the 'casting couch' even applies to children.
    The pair were two the Eighties biggest child stars, alongside River Phoenix, and in addition to The Lost Boys, Feldman starred in iconic eighties movies The Goonies, Stand By Me and The 'Burbs.

    He told Nightline: 'The number one problem in Hollywood was, is and always will be paedophilia," he said.
    http://www.dailymail.co.uk/tvshowbiz...y-Feldman.html

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    Default Re: 96% of Media Owned By 6 Jewish Companies

    Great article by Feldman. There's no doubt in my mind he is telling the truth. Too bad he won't name the mogul because he'd probably get whacked. I know a guy who died and some think it was from AIDS. He was a C level actor, at best. Older guy, too, with kids. This is just so awful and horrible. Interesting that this well known pedophilia is projected on other institutions to get the focus off of themselves. Jewish strategy.

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    Default Re: 96% of Media Owned By 6 Jewish Companies

    That's such a fascinating information. First I didn't want to believe in this but after following this thread I might change my opinion 180 degrees.

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    Default Re: 96% of Media Owned By 6 Jewish Companies

    Excellent and informative thread...Thanks, White Guardian! (What a sad commentary on our nation's media)
    "While I am talking to you mothers and fathers, I give you one more assurance...I have said this before, but I shall say it again and again: your boys are not going to be sent into any foreign wars...Your president says this country is not going to war."
    ~Franklin D. Roosevelt~

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    Post Madonna’s( Kaballah-intiate) Superbowl Halftime Show

    Madonna’s Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry



    When I learned that Madonna – aka the Grand Priestess of the music industry – would be performing at the Superbowl halftime show, I thought: “This should be interesting”. And it was. While most were amazed by a woman in her fifties dancing around with LMFAO and others were annoyed at her lip-syncing, I was interested with something else: the flurry of symbolism flashed to billions of viewers worldwide. While most considered Madonna’s performance as an entertaining interlude to the most important football game of the year, those blessed with symbol-literacy will probably agree with the following statement: Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.
    A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her halftime show:

    “The Superbowl is kind of like the Holy of Holies in America. I’ll come at halfway of the “church experience” and I’m gonna have to deliver a sermon. It’ll have to be very impactful.”

    It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies” as it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted to enter the Holy of Holies but the High Priest. This privilege was only granted on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was therefore telling of the mindset behind her performance. Let’s look at the main parts of her show.
    Vogue or Entrance of the Priestess

    Madonna entrance is an elaborate procession fit for a High Priestess or even a goddess.
    Pushed by hundreds of Roman soldiers and welcomed by hundreds of women, Madonna's glorious entrance is a reflection of her status in the entertainment world.

    Her first performance was highly influenced by ancient Egypt-Sumeria-Babylon and Madonna’s costume recalls an ancient Babylonian goddess.
    The decor of Madonna's first performance combines elements from ancient Egypt, Sumeria and Babylon. Madonna herself is dressed in a way that highly resembles an Ancient Sumerian/Babylonian goddess, Inanna-Ishtar.

    Ishtar with her foot on a roaring lion and wearing a distinctive headdress resembling Madonna's horned crown. Ishtar is often depicted with wings, a feature that is recalled on Madonna's "carriage".

    Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna’s portrayal as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star – a name also attributed to Lucifer in occult schools.
    So, in this mythologically-charged setting, Madonna performed Vogue. During the performance, covers of Vogue Magazine were displayed, a publication that is at the forefront of Illuminati symbolism in fashion (as seen in the series of articles Symbolic Pics of the Month).
    Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance, one that is also of highest importance in occult Secret Societies such as Freemasons, the Rosicrucians and the Illuminati: the Winged Sun-Disk.
    The song ends with the displaying of a Winged Sun-Disk.

    Egyptian mystics used the winged sun for ritualistic magic and invocations:
    “‘Emblematic of the element of air, this consists of a circle or solar-type disk enclosed by a pair of wings. In ritual magic it is suspended over the alter in an easterly direction and used when invoking the protection and co-operation of the sylphs.”
    -
    Hope, Murry, “Practical Egyptian Magic”
    The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucians.
    “The Winged Globe is pre-eminently a Rosicrucian symbol, although the Illuminati may lay claim to it, and it may be admitted that it is of Egyptian origin. The Winged Globe is the symbol of the perfected soul making its flight back to the source of its creation in the Elysian fields beyond.”
    -Swinburne, Clymer, “The Rosicrucians, Their Teachings”
    The symbol of the winged-sun inside a Masonic lodge.

    The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance.


    Give Me All Your Luvin’ or Madonna’s Sex Kittens

    Later in the show, Madonna performed her new single Give Me All Your Luvin’. The song features two new industry favorites: Nikki Minaj and M.I.A. In the song’s music video and during the Superbowl performance, these two female rappers are portrayed in a specific way: Instead of being presented as full-fledged artists contributing to Madonna’s song, they are portrayed as her “minions” who are cheering for the industry’s High Priestess. This “relationship” where Madonna is in power – and therefore the handler – is drenched in Mind Control symbolism, specifically Beta Programming, also know Sex Kitten Programming.
    In the video for Give me Your Luvin', Madonna, Nikki Minaj and M.I.A. are dressed as Marilyn Monroe, the ultimate prototype of Sex Kitten Programming.

    Another symbol associated with Sex Kitten programming is feline prints clothing and textiles. The entire half-time show was an animal-print extravaganza.
    Like a Prayer or the Final Sermon

    Madonna closed the halftime show with one of her biggest hits: Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. As the song starts, the show takes on a very solemn and spiritual vibe as Madonna and Cee-Lo Green enter the stage to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…black masses.
    As the song begins, a huge eye pupil is displayed before the stage, hinting to the Illuminati-influence of this spiritual performance.

    Madonna’s halftime show ends in a dramatic yet very significant matter:
    At the end of her performance, the floor opens underneath Madonna's feet and she falls into oblivion.

    As Madonna is swept in what appears to be the “Underworld”, Madonna sings “I hear you call my name, And it feels like home”. This is another inversion of conventional religious symbolism as “home” should be in the heavens. In Madonna’s case, she obviously didn’t go in that direction.
    The show ends with a message no one can disagree with.
    The words "World Peace" appear on the stage, a PR-friendly slogan used by those pushing for a New World Order lead by a one world government.

    In Conclusion

    When taken individually, the symbols described above can be simply considered as “cool-looking” and most Superbowl viewers did not give them much attention. The packing all of these signs and symbols in one comprehensive 13 minute performance cannot however be dismissed as “random images”. Quite to the contrary, the combination of all of these symbols form a whole and define with great depth the underlying philosophy and Agenda of those in power – the Illuminati. Madonna’s embrace of the Illuminati symbolism discussed on this site coincides with her signing with Interscope Records, one of the main purveyors of Illuminati symbolism in the music industry. Her halftime show performance can therefore be considered as the “launching” of her three-album (and 40 million dollars) relationship with the prominent label. Madonna’s Superbowl performance has shown that, despite the fact that she is an industry icon and that she pioneered most of the themes modern pop stars still exploit, she still needs to fit the mold and to embrace the same symbolism rookie pop stars.

    Laced with profound imagery, Madonna’s halftime performance was a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America and delivered a 13 minutes sermon that was heard by all…but understood by few.
    Madonna's Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry | The Vigilant Citizen

  20. #20
    Contributing Sr. Mod Lewis Clark's Avatar
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    Default Re: Madonna’s( Kaballah-intiate) Superbowl Halftime Show

    In my opinion it is just a confused, degenerate. "anything goes" World she represents, which no one can relate to because it is just a jumble. She seems Ultra Liberal, and Jewish Liberals heavily influenced Her. White Ethnic identity People and real Conservative Christians and Muslims (We don't want them in our world of course) are repulsed by this stuff.

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